In previous reviews, I have explored the theme of “home” as a structural building that protects us. However, two current exhibitions at the Western Illinois University Art Gallery challenge that definition, shifting the focus from the houses we build to the ones we are born with: our bodies.
In the gallery’s lower level, Tonja Torgerson’s “Plant/Person” introduces spectators to the intersection of medical anatomy and ethnobotany.
Much like a flower, the human body grows, blossoms, sheds and decays.
Torgerson’s work, rooted in historical references, highlights how we all move through these inevitable cycles.
In an era when plants were the primary cure for our ailments, Torgerson’s prints symbolize the ancient link between nature and healing. It is a fascinating reminder that humans evolve into beautiful, complex beings, each with a story distinct from the bulbs— or the people—surrounding them.
Through 34 intricate pieces, Torgerson’s message is clear: We all grow, decay and return. Despite the obstacles we face, we can morph into something more extravagant than before.
While Torgerson focuses on the internal house of the body, the second half of this review explores the skeletons of our surroundings. Andrea Kastner’s “Walking Distance” exhibition profiles the stories buildings—both commercial and private—try to tell us when they are stripped to their bare bones.
“Plant/Person” will remain on display through Tuesday, Feb. 24. The University Art Gallery, located at 1 University Circle, is open free to the public from 9 a.m. to noon and 1 to 4 p.m. Monday through Friday, and 1 to 4 p.m. Saturdays.
'Untitled (Death & Life)'
